Urgent, uncompromising, and ambitious. In her debut non-fiction work, Our Land, Argentine filmmaker Lucrecia Martel (Zama, La Ciénaga) examines a tragic, true story from various angles. The result is a crime documentary that is compelling on a narrative level as well as delivering a deeply sensory cinematic experience. Martel worked on Our Land for fourteen years before the film premiered at the Venice Film Festival. The documentary received international acclaim and awards in Locarno, London, and the US.
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